Usada Pekora

A VTuber production agency operated by COVER Corporation. It has established a new form of virtual entertainment with fans worldwide. The agency engages in diverse activities including live streaming, music production, and merchandise.

A VTuber belonging to Hololive English. Playing a shark girl from Atlantis, Gawr Gura surpassed 3 million YouTube subscribers within a year of her 2020 debut, achieving the fastest subscriber growth in VTuber history. She became a symbolic figure in spreading Japanese-born VTuber culture globally, bridging Japanese and Western online entertainment.

Hololive's English-language VTuber talent. Featuring a shark-girl character with over 3 million YouTube subscribers. Acquired global fanbase through English streaming. Monthly revenue in tens of millions of yen through merchandise, superchat, and collaborations. Symbolizes VTuber internationalization, exporting Japanese VTuber culture overseas.

A popular VTuber affiliated with Hololive, known for her cat-eared character design and distinctive low voice. Her soothing streaming style spans from gaming to music production, attracting fans both domestically and internationally. She exemplifies the 'healing character' archetype in the VTuber industry and has become a cultural icon in Japanese digital entertainment.

A veteran VTuber who has been active since Hololive's early days, known for her white fox character and exceptional streaming skills combined with approachability. Her multilingual capabilities have cultivated a broad international fanbase, making her a key figure in promoting VTuber culture globally. Her multilingual streaming approach has become an industry standard.

A VTuber production agency operated by COVER Corporation. It has established a new form of virtual entertainment with fans worldwide. The agency engages in diverse activities including live streaming, music production, and merchandise.

A large-scale VTuber project operated by ANYCOLOR Inc. It boasts a diverse roster of streamers with high popularity both in Japan and internationally. The project also operates Nijisanji EN for English-speaking audiences.