VTuber Talent Agency & Management System

Rapid growth of VTuber character cosplay, distinctly different from traditional anime cosplay. Streamers themselves appear at real events, blurring lines between digital avatars and physical presence. Integrating SNS, live events, and merchandise sales into unified fan economy, it represents the cutting edge of otaku culture evolution.

A VTuber agency operated by Cover Corporation, founded in 2017. It has produced numerous talented multilingual VTubers and gained international recognition through high-quality live streams and concert productions. As a leading company in the VTuber industry, it continues rapid expansion globally.

A VTuber production agency operated by COVER Corporation. It has established a new form of virtual entertainment with fans worldwide. The agency engages in diverse activities including live streaming, music production, and merchandise.

An ecosystem for developing streaming technologies and tools supporting VTuber activities. Motion capture technology, real-time 3D rendering, and low-latency streaming systems are continuously improved. Enriched open-source tools lower technical entry barriers. Japanese tech companies compete in VTuber technology development, establishing global technical leadership in digital entertainment infrastructure.

Virtual idol groups created through CG and AI technology. Merging real idol culture with technology, groups like 22/7 and AE have created a new generation of entertainment. Interactive communication with fans is a defining characteristic.

A movement connecting VTuber avatar fashion design with the fashion industry. Virtual clothing purchase and customization systems, collaborations with real fashion brands, and AR-based virtual try-ons are being developed. The boundary between digital and physical fashion is blurring, creating novel fashion experiences and business opportunities for both VTubers and fashion brands.

A large-scale VTuber project operated by ANYCOLOR Inc. It boasts a diverse roster of streamers with high popularity both in Japan and internationally. The project also operates Nijisanji EN for English-speaking audiences.