Akram Khan Company

A uniquely Japanese avant-garde dance form created by Tatsumi Hijikata in 1959. Using white-painted bodies and slow, contorted movements, it expresses deep human psychology and social critique. Recognized as a representative post-war Japanese artistic movement, butoh has profoundly influenced the international contemporary dance scene.

An avant-garde dance art pioneered by Tatsumi Hijikata. Emphasizing improvisation and body expression beyond traditional dance. Called 'Ankoku Butoh,' it leads global contemporary dance movements. Internationally acclaimed as cutting-edge Japanese art.

Contemporary dance influenced by Butoh. Choreographers like Shirotuka Toru and Tanaka Min pursue new physical expression while developing Butoh aesthetics. Employing techniques that extract maximum expression from minimal body movement, it is highly valued in the global contemporary dance scene. It represents an important artistic lineage continuing Japan's avant-garde tradition.

A body of stage works directed by Suzuki Tadashi. Through creative interpretations of Shakespeare and classical texts, he creates integrated stage art combining physicality and visual beauty. His high evaluations and awards at international theater festivals establish him as a pioneering figure questioning contemporary theater's nature, elevating Japanese drama's international standing.

A butoh (Japanese avant-garde dance) company founded in 1975 by Ohno Yoshito, a disciple of Tatsumi Hijikata. They explore extreme expressions of body and space, earning international recognition at major theater festivals with productions like 'Phoenix.' Instrumental in establishing butoh as a recognized art form on the world stage, influencing contemporary dance globally.

Stage adaptations of manga, anime, and games. Pioneered by 'Prince of Tennis' and established with 'Touken Ranbu,' this uniquely Japanese genre is increasingly touring overseas.

A radical avant-garde dance form created by Tatsumi Hijikata and Kazuo Ohno in 1959 as a reaction against both Western modern dance and traditional Japanese performing arts. Characterized by white-painted bodies, shaved heads, extremely slow and controlled movements, contorted postures, and expressions exploring the liminal space between life and death, beauty and grotesqueness. Butoh fundamentally challenged Western assumptions about what dance could be, offering a uniquely Japanese artistic response to postwar trauma and existential crisis. The form has had a revolutionary and lasting impact on the global contemporary dance and performance art scenes. Today, butoh workshops and performances take place worldwide, with practitioners on every continent incorporating its philosophy of radical bodily expression.